All posts by jwbaker

James Baker is Director of Digital Humanities at the University of Southampton. James is a Software Sustainability Institute Fellow, a Fellow of the Royal Historical Society, and holds degrees from the University of Southampton and latterly the University of Kent, where in 2010 he completed his doctoral research on the late-Georgian artist-engraver Isaac Cruikshank. James works at the intersection of history, cultural heritage, and digital technologies. He is currently working on a history of knowledge organisation in twentieth century Britain. In 2021, I begin a major new Arts and Humanities Research Council funded project 'Beyond Notability: Re-evaluating Women’s Work in Archaeology, History and Heritage, 1870 – 1950'. Previous externally funded research projects have focused on legacy descriptions of art objects ('Legacies of Catalogue Descriptions and Curatorial Voice: Opportunities for Digital Scholarship', Arts and Humanities Research Council), the preservation of intangible cultural heritage ('Coptic Culture Conservation Collective', British Council, and 'Heritage Repertoires for inclusive and sustainable development', British Academy), the born digital archival record ('Digital Forensics in the Historical Humanities', European Commission), and decolonial futures for museum collections ('Making African Connections: Decolonial Futures for Colonial Collections', Arts and Humanities Research Council). Prior to joining Southampton, James held positions of Senior Lecturer in Digital History and Archives at the University of Sussex and Director of the Sussex Humanities Lab, Digital Curator at the British Library, and Postdoctoral Fellow with the Paul Mellon Centre for Studies in British Art. He is a member of the Arts and Humanities Research Council Peer Review College, a convenor of the Institute of Historical Research Digital History seminar, a member of The Programming Historian Editorial Board and a Director of ProgHist Ltd (Company Number 12192946), and an International Advisory Board Member of British Art Studies.

Week 9: #AcWriMo challenge

November is #AcWriMo. If you don’t know what #AcWriMo is – or indeed know nothing of its history – I recommend you head over to Anne Tarrant‘s excellent piece about it on Guardian Higher Ed. The basic jist of #AcWriMo – for those who are still here – is to create a community of academics (of whatever ilk) who guilt each other (that probably should be ‘support each other’) into writing-up their research. As everyone associated with academia knows, writing tends to be the most dramatic, painful, and procrastination inducing part of the process (we’ve all walked into gleaming apartments of colleagues who are clearly willing to do anything to avoid the writing that needs doing…). #AcWriMo seeks to undercut all the personal theatrics of academic writing by compelling participants to write using six simple rules:

  1. Decide on a goal that’s word, time or task based (and stretches you)
  2. Publicly declare said goal (this gives you a push from the start)
  3. Draft a strategy (planning in advance will focus you)
  4. Openly discuss your problems and progress
  5. Don’t slack off
  6. Declare your results at the end

With that in mind, I now declare – a day late I admit – that I will spend November doing the following:

  1. I will write between 500 and 1500 words on at least 20 days this November.
  2. My goal is to complete two of the six chapters planned to make up my book. These chapters are called ‘Bringing Cruikshank to Market’ and ‘The Market for Cruikshank’s’.
  3. These chapters will be based on my doctoral thesis, but will significantly divert from this to include research conducted during the first two months of my Paul Mellon Postdoc Fellowship and feedback from a recent research paper. I will write the chapters in order, and in order to focus my attention on this goal I spent the first day of #AcWriMo going through my Zotero notes and assigning against each proposed chapter.
  4. I will openly discuss my problems via @j_w_baker. I anticipate progress will be hampered by the fact I am giving four talks and opening an exhibition this month, though with regards to the latter there is significant cross-over with the chapters I am writing.
  5. I promise!
  6. I shall!

I am confident this is an ambitious target and – without sounds defeatist already – one I may not achieve. That said I do get to talk about satires such as the one below in my work, so I shouldn’t complain too much… See you all at #AcWriMo!

Two doctors quarreling whilst their patient deteriorates. Coloured engraving by I. Cruikshank, 24 December 1794. Published: Laurie & Whittle.
Credit: Wellcome Library, London
Copyrighted work available under Creative Commons by-nc 2.0 UK: England & Wales, see http://images.wellcome.ac.uk/indexplus/page/Prices.html